Synths

Nick Bullock

A Case Study: The War on Drugs, Red Eyes by Nick Bullock

My wife and I started a new tradition this past week, our date night has become a weekly record listening party for two. We'll go to the local record store (last week was Grimey's, on 8th Ave here in Nashville), pick out a vinyl, and go back home. We'll lay a blanket on the living room floor, picnic style, set up the speakers so we're in the sweet spot, and dig in. Last week was my turn to pick, and I grabbed a record that I have been meaning to listen to since March. We were swept away. WOD1

I saw The War on Drugs about three years ago maybe, back when I lived in Ithaca, and I fell in love with them. I know I'm in love because whenever I do fall, I always walk away with a sense of "That is what I want to do", and that is exactly what happened three years ago. And, it is with that in mind that I chose this song for my next case study... here we go :)

Intro: super cool, I love the synth sound, and instantly you get a pulse for the song, the drums enter with the bass, the bari sax, and a guitar playing some pentatonic tastiness... then the vs starts...

I'm not sure what exactly he is talking about here, but it doesn't matter. That is one of the things I love about rock n roll, yes you tell a story, but it is just as much an audio story as it is a lyrical one. What I mean by that is the music serves the lyrics, and vice versa... they make sense together. It's not about one, its about them both, together.

"Where are we This everything On my knees To beat it down To get to my soul I guessed my way Anyone can tell it's you coming But baby, don't mind Leave it on a lie Leave it your own way"

At this point its obvious that the acoustic guitar and drums are really serving as the back bone, pushing the song along at a nice pace, cruising, accompanied by their big brother the bass, and happy for the company. They are there, watching the spectacle of lights that the synths, and the guitars create, and making sure no one gets hurt.

The piano is nice in the verse too... buried a little bit in the mix, but it's there...  a nice texture.

The verse has a cool 2/4 to 4/4 meter rotation... kind if spinning on itself, you can certainly count it all in 4, but it's more fun to throw some 2's in there, I think :)

And I love the sound that he got on his voice... nice reverb/delay etc. I like how the vocals really sit nicely.

Then you have some interlude material that is pretty much the same as the intro. Is that a leslie effect on the three note guitar lick?? It happens too quick.

The 2nd verse pretty much maintains the pace of the 1st verse, with a nicely added guitar that doubles the vocal and synth line in there for a real quick second...

Which leads to my favorite part! This isn't so much a solo as it is a "lets get really excited for a minute"... they are pulling at us, teasing us, saying you know you love the momentary intensity here, and you know you love it because it's fleeting... nice guitar playing, brief though it be. All over the same chords as the vs:

2/4 I | 4/4 IV | IV | vi- V | 2/4 I | IV | IV || for those of you who care... then the breakdown.

WOD2

It's nice, swelling organ, really great sound... and still the drums, at first without the acoustic strumming its reassurances, then it builds. The acoustic shows up again. The bari sax is back, did it ever leave? Man, that organ sounds so good. I miss being in a band with an organ player. There might be some percussion back there in the mix too, can't tell. The singing starts again, and we are jolted into another solo section, which repeats the themes from the earlier... almost feels like a chorus really, on this second repeat of it... I guess it really isn't a real solo section after all... more of a chorus. And the piano returns!!! All the while, he sings for us. It's an intimate kind of vocal performance, very familiar... I think I can relate to the feeling in his voice... it's part conversational.

It's amazing to me how good all this sounds. Like really, really good. The drums are clear, the piano doesn't sound too tin-y... the vocals... This song really just transported me away. I can't think of a better song to listen to while laying down on the floor with the lights low and closing your eyes.

For me, it's just magic. And it as I write this I have three thoughts: 1. That is what I want to do. 2. I love my wife for having such an awesome idea for our weekly date night (yes, that was her idea!) and 3. I have a studio, and it is calling my name... inspiration indeed!!!

 

What song should I do next?